000			03513cam a22004218i 4500
001			22707855
003			CSPC
005			20261029135353.0
008			220721s2024 nyu 001 0 eng
010			_a 2022034609
020			_a9781266240850 _qpaperback
035			_a22707855
040			_aDLC _beng _erda _cDLC _dDLC _dCSPC
042			_apcc
050	0	0	_aPN2085 _b.G5 2024
082	0	0	_a792.025 _bG413t _223
100	1		_aGillette, J. Michael, _eauthor.
245	1	0	_aTheatrical design and production : _ban introduction to scenic design and construction, lighting, sound, costume, and makeup / _cMichael Gillette and Rich Dionne.
250			_aNinth edition.
263			_a2301
264		1	_aNew York, NY : _bMcGraw Hill LLC, _c2024.
300			_axxi, 617 pages : _billustrations (some color) ; _c28 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aProduction organization and management -- The design process -- A brief history of theatre architecture and stage technology -- The stage and its equipment -- Style, composition, and design -- Color -- Mechanical drafting -- Perspective drawing -- Scenic design -- Tools and materials -- Scenic Production Techniques -- Scene painting -- Stage properties -- Lighting design -- Electrical theory and practice -- Lighting production -- Projections and media -- Costume design -- Costume construction -- Makeup -- Sound design and technology -- Drawing and rendering.
520			_a"First courses in the world of theatrical design and production, like the art they introduce, come in a bewildering array of shapes, sizes, textures, and colors. Some students receive their introduction to this subject area in a general overview course that covers the design and production elements of scenery, costumes, lighting, and sound in a single semester. Other students may enjoy the luxury of an entire year in which to discuss the same material. Still others may take individual courses that specialize in the theory and craft of the separate areas that comprise the field of theatrical design and technical production. The course content is very flexible indeed. To create a text that will serve the needs of all these courses is a distinct challenge. I've tried to rise to that challenge by organizing the material in two ways. The chapters appear in a logical sequence, but each chapter is also an island of information that can stand alone. My hope is that this organization will enable each instructor to pick and choose the type and amount of material that is appropriate for his or her particular course. This type of organization also makes the text a useful reference for students to keep throughout their design and technical production careers"-- _cProvided by publisher.
650		0	_aStage management.
650		0	_aTheater _xProduction and direction.
650		0	_aTheaters _xStage-setting and scenery.
700	1		_aDionne, Rich, _eauthor.
776	0	8	_iOnline version: _aGillette, Michael. _tTheatrical design and production _bNinth edition. _dNew York, NY : McGraw Hill LLC, 2023 _z9781265658199 _w(DLC) 2022034610
906			_a7 _brip _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK _e23 _h792.025 _iG413t _kCIR _m2024 _n0
999			_c33962 _d33962