000			02259nam a22003377a 4500
005			20230512223847.0
008			220224t xxu||||| |||| 00| 0 eng d
020			_a9783956793882
040			_cCSPC
082	0		_a111.85 _bSp116
245	0	0	_aSpacing philosophy : _bLyotard and the idea of the exhibition /
260			_aLithuania : _bSternberg Press, _c2019.
300			_a251 pages : _billustrations ; _c20 cm.
336			_2rdacontent _atext
337			_2rdamedia _aunmediated
338			_2rdacarrier _avolume
500			_aIncludes index,
504			_aIncludes bibliographical references (page 239-249)
520			_aThe significance of Jean-Franȯis Lyotard's innovative 1985 exhibition Les Immatřiaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-Franȯis Lyotard curated Les Immatřiaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatřiaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades. The significance of Jean-Franȯis Lyotard's innovative 1985 exhibition Les Immatřiaux and the “curatorial turn” in critical theory.
650	1	0	_aArt.
650	1	0	_aArt _vExhibition techniques.
650	1	0	_aArt modern _vExhibition.
650	1	0	_aLyotard, Jean-Francois, 1924-1998.
650	1	0	_aHistory.
700	1		_aDaniel Birnbaum _eeditor
700	1		_aSven-Olov Wallenstein _eeditor
940			_aClaire
942			_cBOOK _jCIR 111.85 Sp116 2019
999			_c11815 _d11815