Harmony in context / Miguel A. Roig-Francolí.
Material type: TextPublisher: New York : McGraw-Hill Education, 2020Edition: Third editionDescription: xix, 774 pages : illustrations ; 23 cmContent type:- rdacontent
- rdamedia
- rdacarrier
- 9781260566505
- 781.25 R637h
- MT50 .R689
Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Books | Main Library-Nabua | Circulation Section | CIR 781.25 R637h 2020 (Browse shelf(Opens below)) | 1-1 | Available | 028256 |
Includes index.
The fundamentals of music -- Pitch: notation and intervals -- Rhythm and meter -- Tonality: scales and keys -- The rudiments of harmony I: triads and seventh chords -- Introduction to species counterpoint -- Diatonic harmony -- Harmonic progression -- The fundamental progression: the tonic and dominant triads -- Harmonic function; the subdominant triad in root position -- Triads in first inversion -- The supertonic; melody harmonization -- Nonchord tones -- Chords -- The dominant seventh and its inversions -- The leading-tone triad -- Cadences -- Building the context for harmony I : phrase structure -- Building the context for harmony II: thematic development; phrase extension -- Harmonic rhythm; metric reduction -- The mediant, submediant and subtonic triads -- Other diatonic seventh chords -- Harmonic sequences -- Chromatic harmony and form -- Tonicization I -- Tonicization II -- Tonicization III: secondary leading-tone chords -- Modulation to closely related keys -- Small forms: binary and ternary; variation forms -- Contrapuntal genres: invention and fugue -- Modal mixture -- The neapolitan chord -- Augmented sixth chords -- Chromatic modulatory techniques: modulation to distantly related keys -- Modulation to distantly related keys II; linear chromaticism -- Introduction to large forms -- Expanding functional tonality: extended tertian chords; linear chromaticism II -- The German romantic lied: chromatic harmony in context -- Toward (and beyond) the limits of functional tonality.
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