03449cam a22004098i 450000100090000000300050000900500170001400800410003101000170007202000290008903500130011804000340013104200080016505000210017308200230019410000350021724501650025225000190041726300090043626400440044530000590048933600260054833700280057433800270060250000200062950505690064952012970121865000220251565000390253765000410257670000270261777601610264490600450280594200460285095201260289699900170302222707855CSPC20261029135353.0220721s2024    nyu           001 0 eng    a  2022034609  a9781266240850qpaperback  a22707855  aDLCbengerdacDLCdDLCdCSPC  apcc00aPN2085b.G5 202400a792.025bG413t2231 aGillette, J. Michael,eauthor.10aTheatrical design and production :ban introduction to scenic design and construction, lighting, sound, costume, and makeup /cMichael Gillette and Rich Dionne.  aNinth edition.  a2301 1aNew York, NY :bMcGraw Hill LLC,c2024.  axxi, 617 pages :billustrations (some color) ;c28 cm.  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes index.0 aProduction organization and management -- The design process -- A brief history of theatre architecture and stage technology -- The stage and its equipment -- Style, composition, and design -- Color -- Mechanical drafting -- Perspective drawing -- Scenic design -- Tools and materials -- Scenic Production Techniques -- Scene painting -- Stage properties -- Lighting design -- Electrical theory and practice -- Lighting production -- Projections and media -- Costume design -- Costume construction -- Makeup -- Sound design and technology -- Drawing and rendering.  a"First courses in the world of theatrical design and production, like the art they introduce, come in a bewildering array of shapes, sizes, textures, and colors. Some students receive their introduction to this subject area in a general overview course that covers the design and production elements of scenery, costumes, lighting, and sound in a single semester. Other students may enjoy the luxury of an entire year in which to discuss the same material. Still others may take individual courses that specialize in the theory and craft of the separate areas that comprise the field of theatrical design and technical production. The course content is very flexible indeed. To create a text that will serve the needs of all these courses is a distinct challenge. I've tried to rise to that challenge by organizing the material in two ways. The chapters appear in a logical sequence, but each chapter is also an island of information that can stand alone. My hope is that this organization will enable each instructor to pick and choose the type and amount of material that is appropriate for his or her particular course. This type of organization also makes the text a useful reference for students to keep throughout their design and technical production careers"--cProvided by publisher. 0aStage management. 0aTheaterxProduction and direction. 0aTheatersxStage-setting and scenery.1 aDionne, Rich,eauthor.08iOnline version:aGillette, Michael.tTheatrical design and productionbNinth edition.dNew York, NY : McGraw Hill LLC, 2023z9781265658199w(DLC) 2022034610  a7bripcorignewd1eecipf20gy-gencatlg  2ddccBKe23h792.025iG413tkCIRm2024n0  00102ddc4070aCSPCbCSPCcCIRd2026-10-29l0oCIR 792.025 G413t 2024p032795r2026-10-29 13:35:15t1-1w2026-10-29yBK  c33962d33962