03221cam a2200397 i 4500 22311416 CSPC 20260216103159.0 211115s2022 nyu b 001 0 eng 2021056293 9781501392870 (paperback) 22311416 DLC eng rda DLC CSPC pcc ML3797 .Z35 2022 780.721 Z132p 23 Zagorski-Thomas, Simon, author. Practical musicology / Simon Zagorski-Thomas. New York, NY ; London, United Kingdom : Bloomsbury Academic, 2022. vii, 237 pages ; 24 cm. text txt rdacontent unmediated n rdamedia volume nc rdacarrier 21st century music practices Includes bibliographical references and index. What is practical musicology? -- Theoretical interlude 1 : 'As if' -- Methodology and methods -- Theoretical interlude 2 : Restriction, affordance and influence -- Context : Styles, tradition and identity -- Context : Technology, uses and value -- Theoretical interlude 3: The feeling of being -- Musicking -- Theoretical interlude 4 : Three modes of perception -- Learning and knowing -- Theoretical interlude 5 : The mechanisms of influence -- Communication and influence -- Theoretical interlude 6 : Belonging and not belonging -- Interaction and influence -- Theoretical interlude 7 : Authority -- Systems and networks -- Some conclusions. "A theoretical framework for studying how music is made as opposed to what is produced"-- Provided by publisher. "Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon"-- Back cover. Musicology. Music Performance Research. Online version: Zagorski-Thomas, Simon. Practical musicology [1st.] New York : Bloomsbury Academic, 2022 9781501357800 (DLC) 2021056294 7 cbc orignew 1 ecip 20 y-gencatlg ddc BK 23 780.721 Z132p CIR 2022 0 0 0 ddc 0 0 CSPC CSPC CIR 2026-02-14 0 CIR 780.721 Z132p 2022 031256 2026-02-14 13:30:57 1-1 2026-02-14 BK 31793 31793