02617nam a2200277 i 4500003000500000005001700005008004100022020001800063040002500081050002300106082002300129100003000152245005000182264005700232300002900289336002100318337002500339338002300364504005100387505043900438520122300877650005002100942004602150952012602196999001702322CSPC20260205171147.0260205s2024    nyu           001 0 eng d  a9781032267456  aCSPCbengcCSPCerda 4aML2075b.L36 2024 04a781.542bL198f2231 aLampl, Kenneth, eauthor.10aFilm music : bthe basics / cKenneth Lampl.  1aAbingdon, Oxon ;aNew York, NY :bRoutledge, c2024.  aix, 143 pages ;c24 cm.   2rdacontentatext  2rdamediaaunmediated  2rdacarrieravolume  aIncludes bibliographical references and index.0 aThe history of film music in Hollywood -- Film music from around the world -- The history of music for animation -- The language of film music -- The creative team -- The creative process -- Technology and creativity -- The future of film scoring: an introduction to video game music (co-authored by Thomas Connell) -- The future of film scoring: the trilogy, the series and the franchise -- New voices in film music: the interviews.   a"A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film-music buffs seeking to update their understanding of film music"-- Back cover. 0aMotion picture musicxHistory and criticism.   2ddcn0cBKh781.542iL198fkCIRm2024e23  00102ddc4070aCSPCbCSPCcCIRd2026-02-05l0oCIR 781.542 L198f 2024p031149r2026-02-05 13:57:36t1-1w2026-02-05yBK  c31682d31682