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  <titleInfo>
    <title>Modes of composition and the durability of style in literature</title>
  </titleInfo>
  <name type="personal">
    <namePart>Hoover, David L.</namePart>
    <role>
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  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
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    <dateIssued encoding="marc">2021</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>xx, 216 pages : illustrations ; 23 cm.</extent>
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  <tableOfContents>Modes of composition and the durability of literary style -- A proof of concept: identifying differences in style -- Changing back and forth from handwriting to dictation: Thomas Hardy, Walter Scott, and Joseph Conrad -- Changing over from handwriting to dictation or typing: Booth Tarkington and William Faulkner --  Changing over from handwriting or typing to word processing: Arthur Clarke, Octavia Butler, Stanley Elkin, and Ian McEwan -- The durability of change: handwriting, dictation, and style evolution in Henry James -- The durability of Stephen King's style -- Why a change in mode is not enough: translation and the radical durability of style -- Conclusion.</tableOfContents>
  <note type="statement of responsibility">David L. Hoover. </note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="">
    <topic>American literature</topic>
  </subject>
  <subject authority="">
    <topic>Authorship</topic>
  </subject>
  <subject authority="">
    <topic>English language</topic>
    <topic>Style</topic>
  </subject>
  <subject authority="">
    <topic>English literature</topic>
  </subject>
  <classification authority="lcc">PR101</classification>
  <classification authority="ddc" edition="23">820.9 H769m</classification>
  <identifier type="isbn">9780367366704</identifier>
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    <recordCreationDate encoding="marc">231201</recordCreationDate>
    <recordChangeDate encoding="iso8601">20240521150942.0</recordChangeDate>
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