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Theater in a post-truth world : texts, politics, and performance / edited by William C. Boles.

Contributor(s): Material type: TextTextSeries: Methuen Drama agitations: text, politics and performancesPublisher: London ; New York : Methuen Drama, 2024Description: x, 224 pages ; 23 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781350215894
Subject(s): Additional physical formats: Online version:: Theater in a post-truth worldDDC classification:
  • 23/eng/20220309 792 T340
LOC classification:
  • PN2049 .T4375 2024
Partial contents:
Part 1. Text -- Post-truth but not post-race: the repeating realities of Anna Deavere Smith's Twilight: Los Angeles, 1992 -- Knowing not what it "seems": re-viewing Caryl Churchill's post-truth world in Glass, Kill, Bluebeard's Friends, and Imp -- Part 2. Politics -- The alternative realities of David Hwang's soft power and Anne Washburn's shipwreck -- Negotiating the fifth wall -- When the play is not the thing: the Mueller report and the limits of documentary drama -- Part 3. Performance -- Australian biographical theater on the post-truth stage -- Performing reality: Tina Satter's verbatim staging of an FBI transcript in Is This A Room -- Seductive frames: Digital aesthetics in Kip William's staging of Bertolt Brecht's The Resistible Rise of Arturo Ui (2018) -- Satanic panic: performance in the new culture war.
Summary: "This is the first book to examine how the concept and disagreements around "post-truth" have been explored in the world of theater and performance. This ranges from the plays of Caryl Churchill, Anne Washburn, and David Henry Hwang, to the inherent theatricality of press conferences, interviews and protests that embrace the confusion created by "post-truth" to muddy issues and deflect blame, to theatrical performance, where the nature of truth is challenged through staged visuals which run counter to what the audience hears, provoking a debate about where the truth actually lies. With contributions by scholars from around the world, Theater in a Post-Truth World considers a wide array of examples from American and British drama and politics, Australian theater, and the work of performance artist Marina Abramovic. Together these provide a glimpse into how the theater in its many forms provides a venue to raise critical awareness and encourage critical thinking about the ubiquity of "post-truth.""-- Provided by publisher.
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Holdings
Item type Current library Shelving location Call number Copy number Status Date due Barcode
Books Books Main Library Circulation Section CIR 792 T340 2024 (Browse shelf(Opens below)) 1-1 Available 032626

Includes bibliographical references and index.

Part 1. Text -- Post-truth but not post-race: the repeating realities of Anna Deavere Smith's Twilight: Los Angeles, 1992 -- Knowing not what it "seems": re-viewing Caryl Churchill's post-truth world in Glass, Kill, Bluebeard's Friends, and Imp -- Part 2. Politics -- The alternative realities of David Hwang's soft power and Anne Washburn's shipwreck -- Negotiating the fifth wall -- When the play is not the thing: the Mueller report and the limits of documentary drama -- Part 3. Performance -- Australian biographical theater on the post-truth stage -- Performing reality: Tina Satter's verbatim staging of an FBI transcript in Is This A Room -- Seductive frames: Digital aesthetics in Kip William's staging of Bertolt Brecht's The Resistible Rise of Arturo Ui (2018) -- Satanic panic: performance in the new culture war.

"This is the first book to examine how the concept and disagreements around "post-truth" have been explored in the world of theater and performance. This ranges from the plays of Caryl Churchill, Anne Washburn, and David Henry Hwang, to the inherent theatricality of press conferences, interviews and protests that embrace the confusion created by "post-truth" to muddy issues and deflect blame, to theatrical performance, where the nature of truth is challenged through staged visuals which run counter to what the audience hears, provoking a debate about where the truth actually lies. With contributions by scholars from around the world, Theater in a Post-Truth World considers a wide array of examples from American and British drama and politics, Australian theater, and the work of performance artist Marina Abramovic. Together these provide a glimpse into how the theater in its many forms provides a venue to raise critical awareness and encourage critical thinking about the ubiquity of "post-truth.""-- Provided by publisher.

English.

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