Acting : the basics / Bella Merlin.
Material type:
TextSeries: The basics series | Basics (Routledge (Firm))Publisher: Abingdon, Oxon ; New York, NY : Routledge, 2024Edition: 3rd editionDescription: xiv, 211 pages ; 21 cmContent type: - text
- unmediated
- volume
- 9781032212074
- 792.028 M548a 23/eng/20230629
- PN2061 .M395 2024
| Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
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Main Library | Circulation Section | CIR 792.028 M548a 2024 (Browse shelf(Opens below)) | 1-1 | Available | 032619 |
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| CIR 792.028 C188v 2022 The vocal arts workbook : a practical course for developing the expressive actor's voice / | CIR 792.028 C195i 2023 Introduction to speechwork for actors : an inclusive approach / | CIR 792.028 G364a 2018 Acting and character animation the art of animated films, acting and visualizing/ | CIR 792.028 M548a 2024 Acting : the basics / | CIR 792.02807 D655t 2020 Teaching acting with practical aesthetics | CIR 792.028071 C869 2025 Critical acting pedagogy : intersectional approaches / | CIR 792.028071 C869 2025 Critical acting pedagogy : intersectional approaches / |
Includes bibliographical references and index.
Introduction -- 'Why not?': some socio-cultural perspectives -- 'The player and the instrument': actor training -- 'Systems and methods': 20th-century innovators -- 'Building a character': rehearsal processes -- 'Expressing your creative individuality': 21st-century practitioners -- 'And ... action!': performance practices -- Epilogue.
"Acting: The Basics 3rd Edition is a dynamic response to recent societal and entertainment industry changes, focusing on inclusion, diversity and equity, and the actor's trajectory from training to rehearsal to performance on stage and screen, with hands-on tools and global perspectives. The book offers vital ways of building a practical acting toolkit, through breath, body, voice, emotions, imagination and spirit. We begin with a socio-cultural look at actor as magician, storyteller, healer and social changer. Throughout, there are insights from Black, Indigenous, First Nations, South/East Asian, intercultural and feminist practitioners, together with methods focusing on disability and accessibility, intimacy directives, mindfulness and intersectionality. Key 'canonical' figures still feature (e.g., Stanislavsky, Meisner, Brecht and Suzuki) with re-visioned perspective. Scattered throughout are post-COVID insights, plus expanded sections on screen acting (including self-tapes) and Shakespeare. This book is useful for beginner or expert, as it's always helpful getting back to basics. Because the author is both an actor and an actor trainer, the tools are steeped in user-friendly application. At the same time, transferable skills (e.g., dynamic listening and empathy) are shown as relevant to everyone. With a glossary of terms and useful online suggestions (including blogs, videos and podcasts), this is ideal for anyone learn anew about the practice and history of acting, or to take their acting and teaching into new terrain"-- Provided by publisher.
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