The Routledge companion to photography theory / edited by Mark Durden and Jane Tormey.
Material type:
TextPublication details: Abingdon, Oxon : Routledge, 2020.Description: xv, 441 pages : illustrations ; 25 cmContent type: - text
- unmediated
- volume
- 9781032085364
- 770.1 R765
- TR183 .R68
| Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode | |
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Books
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Main Library | Circulation Section | CIR 770.1 R765 2020 (Browse shelf(Opens below)) | 1-1 | Available | 025360 |
Includes index.
Includes bibliographical references.
PART I -- AESTHETICS -- Feeling in photography, the affective turn, and the history of emotions Thy Phu, Elspeth H. Brown, and Andrea Noble -- Jacques Ranciere: aesthetics and photography David Bate -- Ambiguity, accident, audience: Minor White's photographic theory Todd Cronan -- Testing humanism: the transactions of contemporary documentary photography Mark Durden -- Jeff Wall speaks with David Campany Jeff Wall and David Campany -- Deleuze and the simulacrum: simulation and semblance in Public Order Sandra Plummer -- Five versions of the photographic act: archival logic in the work of Andrea Robbins and Max Becher Shep Steiner -- Jean Baudrillard's photography-a vision of his own strange world Gerry Coulter -- Visual episodic memory and the neurophenomenology of digital photography Jill Bennett -- PART II -- POLITICS -- Seeing the public image anew: photography exhibitions and civic spectatorship Robert Hariman and John Louis Lucaites -- Still images on the move: theoretical challenges and future possibilities Marta Zarzycka -- Interview with Ariella Azoulay Ariella Azoulay and Justin Carville -- Human rights practice and visual violations Ruthie Ginsburg -- Love the bomb: picturing nuclear explosion Paula Rabinowitz -- Twice captured: the work of atrocity photography Molly Rogers -- Presenting the unrepresentable: confrontation and circumvention Jane Tormey -- The eco-anarchist potential of environmental photography: Richard Misrach and Kate Orff's Petrochemical America Conohar Scott -- Counter-forensics and photography Thomas Keenan -- PART III -- THEORIES -- Derrida and photography theory Malcolm Barnard -- Image, affect, and autobiography: Roland Barthes' photographic theory in light of his posthumous publications Kathrin Yacavone -- Ideation and photography: a critique of Francois Laruelle's concept of abstraction John Roberts -- Fractal photography and the politics of invisibility Daniel Rubinstein -- Photographic apparatus in the era of tagshot culture Mika Elo -- Artistic representation and politics: an exchange between Victor Burgin and Hilde Van Gelder Victor Burgin and Hilde Van Gelder -- Decentering the photographer: authorship and digital photography Daniel Palmer -- Out of language: photographing as translating Nancy Ann Roth -- Habitual photography: time, rhythm, and temporalization in contemporary personal photography Martin Hand and Ashley Scarlett.
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